Review: <i>Theatre and Cartographies of Power: Repositioning the Latina/o Americas</i>.

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  • Olga Patricia Sanchez Saltveit University of Oregon, Department of Theatre Arts

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https://doi.org/10.5399/uo/peripherica.1.1.13

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Book review of Theatre and Cartographies of Power Repositioning the Latina/o Americas, an anthology of essays on Latin American and Latinx theatre-making. Edited by Analola Santana and Jimmy A. Noriega. Southern Illinois University Press, 2018.

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Theatre Arts, University of Oregon, PhD candidate, and Artistic Director Emerita, Milagro. Sanchez Saltveit is theatre-maker, educator, arts activist, and emerging scholar. Her directorial work has been seen in Portland, Seattle, New York City, Washington DC, Peru, Venezuela, and Honduras. Olga served as co-artistic director of the People’s Playhouse in New York City, artistic director of Seattle Teatro Latino, and co-founder of La Casa de Artes, a Seattle-based non-profit organization dedicated to celebrating the beauty of Latino arts and cultural heritage. Her article “(Afro)Latinx Theatre: Embodiment and Articulation” is published in Label Me Latina/o. She serves as a founding member of the Steering Committee of the Latinx Theatre Commons, a program of Howlround/Center for the Theatre Commons at Emerson College, and is a member of the Latin American, Latino and Iberian Studies Association of the Pacific Northwest.

Erreferentziak

Santana, Analola, and Jimmy A. Noriega, editors. Theatre and Cartographies of Power Repositioning the Latina/o Americas. Southern Illinois University Press, 2018.

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2019-05-31

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Sanchez Saltveit, O. P. (2019). Review: <i>Theatre and Cartographies of Power: Repositioning the Latina/o Americas</i>. Periphērica: Journal of Social, Cultural, and Literary History, 1(1), 363–367. https://doi.org/10.5399/uo/peripherica.1.1.13

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bol: 1 zk: 1 (2019): Inaugural Issue

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